meantone deviation gif
tonalsoft.com
meantone deviation gif
699px x 849px | 16.50kB

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All of these graphs choose one particular mapping of 11 limit ratios as shown at the bottom of the meantone error applet which can be viewed by clicking on the small graph below Below is a graph showing the average absolute deviation for each set of ratios of prime factors

just intonation temperament png
randle.files.wordpress.com
just intonation temperament png
337px x 767px | 15.20kB

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tritones gif
tonalsoft.com
tritones gif
510px x 388px | 3.90kB

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1 1 1 398061216 23455575 16777216 580 1130388 8 9 1 0 1 0 1 397940341 19683 14080 579 9633 Below is a graph of these tritones s cents values 24 17 = ~597 cents and 17 12 = ~603 cents are two 17 limit tritones Below is a table and graph of the tritones for some of the most common fraction of a comma meantones

2 7cmt error from ji gif
tonalsoft.com
2 7cmt error from ji gif
533px x 519px | 6.00kB

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meantones table on your meantone page Here is a graph showing the error paul is talking about the error shown for ratios of 5 is exact for 7 and 11 only approximate Erlich s point can be very easily seen by looking at the blue plots on the meantone error applet A few moments of playing around with that especially comparing LucyTuning 2 7 comma

mt error from ji overall closeup gif
tonalsoft.com
mt error from ji overall closeup gif
642px x 1039px | 13.10kB

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Below is a graph showing the average absolute deviation for each set of ratios of prime factors Below is a closeup of the central section from the above graph If one follows Partch s observation that the sensitivity of a ratio to mistuning is directly proportional to its prime or odd limit it can be seen from the above graph that the

organ inside png
nicksworldofsynthesizers.com
organ inside png
589px x 800px | 1200.00kB

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This is a polyphonic synthesiser It was the hardest of all my machines to make because there is a separate synth circuit for every note on the keyboard there are 88 notes I think I damaged my eyesight making it because of all the hours spent staring at tiny components

image058 gif
www-antenna.ee.titech.ac.jp
image058 gif
436px x 594px | 9.80kB

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workspace mpe and te floating gif
tonalsoft.com
workspace mpe and te floating gif
641px x 769px | 91.60kB

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When a window is floating it may be freely moved and resized It is necessary to keep only one window docked any of the others may be docked floating or hidden If you just want to close the window completely open the pop up menu and select Hide View

index 1 gif
www-antenna.ee.titech.ac.jp
index 1 gif
401px x 614px | 5.10kB

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2003 3 23 Takuichi Hirano Input c c d d e f f g g a a b In 1 = Input

small 5l 2 gif
tonalsoft.com
small 5l 2 gif
385px x 680px | 10.10kB

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Below is a rectangular lattice showing the same thing this is the format used on the other lattices on this page Small 5 limit intervals rectangular The bingo card lattice for 12edo will be explained in detail as an example the technique used in creating that lattice applies for all the others

nokia keys png
regoloarmonico.com
nokia keys png
412px x 438px | 62.30kB

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Getting started Here is a reminder of the control keys that will be used Launch Python select Options > Run script select pyadagio py PyAdagio will start in navigation mode where you can browse the files available to the program The package comes

hard 20 animation gif
regoloarmonico.com
hard 20 animation gif
500px x 500px | 1500.00kB

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Click here to download an animation from 80Hz to 8000Hz in 1 3 octave steps 1 47 MB Actual recording The biggest problems can be evaluated by ear so here are some recordings for anyone to

20oo55 scl gif
tonalsoft.com
20oo55 scl gif
496px x 412px | 6.10kB

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7 limit gif
tonalsoft.com
7 limit gif
383px x 594px | 2.90kB

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MouseOver these links to reveal 5 7 9 11 13 limit

mto 96 2 6 walker4 gif
mto.societymusictheory.org
mto 96 2 6 walker4 gif
395px x 494px | 8.30kB

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entendre ici Exemple 4 11 la version Bent realisee selon le principe de continuite Walter propose pour cette version deux solutions Les originaux peuvent etre consultes ici et la Nous reproduisons ci dessous la premiere en utilisant notre notation accompagnee de sa realisation sonore Exemple 4 12 Figure 4 8 Premiere solution de Walker version Bent

log prime golden angle 11diamond gif
tonalsoft.com
log prime golden angle 11diamond gif
528px x 572px | 6.70kB

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And this as one example is the 11 limit tonality diamond

2 7cmt 20 tone scale gif
tonalsoft.com
2 7cmt 20 tone scale gif
770px x 823px | 19.30kB

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5 7 7 7 7 14 7 1129 327573 Cb 19 11 19 7 19 7 38 7 20 3965872 2 7 comma meantone small diesis magic comma Because this interval is smaller than the syntonic comma which has already been tempered out it is rare to find a Renaissance or Baroque composition which uses 2 7 comma meantone in a

2 7cmt 19tone chromatic scale gif
tonalsoft.com
2 7cmt 19tone chromatic scale gif
623px x 483px | 6.40kB

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add 6 more notes in this manner without encountering a new step size thus the 19 tone chain of 2 7 comma meantone has between degree intervals of ~50 27583966 and ~70 67242686 cents If a 20th note is added for example 7 Cb there occurs a new smaller between degree interval ~20 3965872 cents between Cb and B generator 8ves 2 3 5 monzo ~

2 7cmt 51 tone chain gif
tonalsoft.com
2 7cmt 51 tone chain gif
624px x 482px | 5.30kB

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is a graph showing the 51 tone chain of 2 7 comma meantone The red line connects the two pitches which are close to each other If this interval is tempered out 50edo is the result Using vector addition again to compare the 2 7 comma meantone 5th with the 50 EDO 5th we get a difference between the two of 2 3 5 monzo 29 50 0 0

diatonic semitones edo meantones pitch height graph gif
tonalsoft.com
diatonic semitones edo meantones pitch height graph gif
492px x 365px | 5.60kB

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are shown on the graph below Note that 81 edo is closer to Woolhouse s 7 26 comma meantone than 50 edo but Woolhouse specificially outlined 50 edo as an approximation to 7 26 comma As can be seen from a comparison of this graph with that for the chromatic semitone the variation of the diatonic semitone is over a narrower range than that of the chromatic semitone

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